ARAMAKI Haruka
Composition with Red and Blue
wood, acrylic
2021
TOKYO TORCH Tokiwabashi
Tokyo
Client: Mitsubishi Estate Co., Ltd.
Curating & Direction: Code-a-Machine
Project members: NAKAHARA Takashi (DENBAK-FANO DESIGN)、TSUNOO Mai
Assistant: SONOBE Tatsuri
Technical Team: HIGURE 17-15 cas
PR: KOIKE Miki(HOW)
Photo: OTA Takumi
- Art Consulting
- Curation/Planning
- Management/Coordination
Blue, red, and gold. Squares, triangles, and circles. Aramaki combines simple colors and shapes into a single unit, and then arranges large numbers of them on a wall to compose a complex painting. Within each unit, she leaves a portion of the background unpainted, allowing these parts to come to the foreground to create a visual effect. In her exploration, she studies how our perception is affected by angles, orientation, and color composition. Her inquiry also reminds us of the importance of shifting our views to look at our society from a different perspective.
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ARAMAKI Haruka
1988 Born and currently lives and works in Kanagawa, Japan
2014 Graduated from Keio University Graduate School of Media and Governance
Selected Solo Exhibitions
2019 “ele-skec-hi”, aiiima hikarie 8, Tokyo
2018 “Blue and Red”, aiiima hikarie 8, Tokyo
Selected Group Exhibitions
2018 “POTENTIALITIES: Exhibition For A Possible Future (Institute of Industrial Science, the University of Tokyo, 70th Anniversary Exhibition)”, The National Art Center, Tokyo
2017 “Ascending Art Annual Vol.1 Shapes and Figures”, Spiral, Tokyo
Selected Awards
2017 SMART ILLUMINATION AWARD, Grand Prize
2013 Campus Genius Contest, Bronze Prize
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横山 修
YOKOYAMA Osamu -
ラファエル・ローゼンダール
Rafaël ROZENDAAL -
ワン・イー(王一)
WANG Yi -
ジョン・ヘリョン(정혜련)
JUNG Hyeryun -
ジェイコブ・ハシモト
Jacob Hashimoto -
タン・ジエ(汤杰)
TANG Jie -
大庭大介
OHBA Daisuke -
KIGI
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桑田卓郎
KUWATA Takuro -
横山裕一
YOKOYAMA Yuichi -
宮田彩加
MIYATA Sayaka -
NEW LIGHT POTTERY
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荒牧 悠
ARAMAKI Haruka -
品川 亮
SHINAGAWA Ryo -
森山 茜
MORIYAMA Akane -
鈴木啓太 プロダクトデザインセンター
SUZUKI Keita, PRODUCT DESIGN CENTER -
吉野もも
YOSHINO Momo -
長坂 常 スキーマ建築計画
NAGASAKA Jo, Schemata Architects





