YOSHINO Momo
Kami #72, Kami #75, Kami #71, Kami #74, Kami #73
acrylic on panel

2021
TOKYO TORCH Tokiwabashi Tower
Tokyo

Client: Mitsubishi Estate Co., Ltd.
Curating & Direction: Code-a-Machine
Project members: NAKAHARA Takashi (DENBAK-FANO DESIGN)、TSUNOO Mai
Assistant: SONOBE Tatsuri
Technical Team: HIGURE 17-15 cas
PR: KOIKE Miki（HOW）

Photo: OTA Takumi

Supported by rin art association

  • Art Consulting
  • Curation/Planning
  • Management/Coordination

At first glance, her painting appears to be three-dimensional. Upon closer inspection, however, it becomes apparent that the painting is indeed flat. Yoshino uses the trompe l'oeil technique to create her work, referencing origami as a motif. Origami is a tradition developed in Japan, where a flat sheet of paper is folded to create a three-dimensional form. In Yoshino's works, the intrigue behind origami, where a flat surface is transformed into a three-dimensional form, is reinforced to the viewer by capturing its concept as a flat painting. The geometric patterns created by the folds also resonate with the design of the Tokiwabashi Tower.

Read More

　

YOSHINO Momo

1988 Born in Tokyo. Live in Saitama, Japan.
2015 MFA Oil Painting Course, Tokyo University of the Arts, Tokyo

Selected Solo Exhibitions
2018 “being”, rin art association, Takasaki, Japan
2017 “Link”, Seibu Shibuya, Tokyo
2015 “Transformation”, Hasu no hana, Tokyo

Selected Group Exhibitions
2020 “Art Project Takasaki 2020”, Gunma
2020 “Tennoz Art Festival 2020”, Tokyo
2019 “Inside and Outside of the image”, ANA Inter Continental Tokyo, Tokyo
2019 “Correct way of Distortion”, KOGANEI ART SPOT Chateau 2F, Tokyo